articles tagged:

Hip Hop

Nickless – Stay Tuned *Video*

Check out this video from NY based rapper Nickless. Stay Tuned is his first video which was shot by ‘Mystyle’ Matthew Sneh.

YNY’s article One Man One Way One Destiny on Nickless excerpt:

When you have a name that means “Victorious People” a desire to change the world with your music is definitely within your reach. Born in the Bay area of California, Nickless lost his father to HIV at an early age. He was then raised in a feminist household by a single mother while living in a predominately Black Panther neighborhood. Living on the Upper East Side of Manhattan, for the last three years Nickless has taken his dreams from California and turned them into a career in New York. “There’s the hippie revolutionary part of me then there’s the New York side of me that’s like money, money, money, money, hustle, hustle.” …[Read More]…

Check out our full interview with Nickless here.

Party at the Panda Bar with Miles Jones

Panda setting, Miles Jones music, a Piñata, and Tequila specials = One Fantastic Cinco de Mayo Party!! Travel down the Chrystie Street and visit the Panda Bar for free admission all night long. Partake in the extended happy hour from 4-9pm with additional tequila specials all the while celebrating with musician Miles Jones who just released his full-length album Runaway Jones. Performing live at 9pm, the party continues into the early morning with DJ Tenessee. Hailing from our Northern neighbor, this Toronto rapper has the skill and sound to make waves right here in New York City. Be sure to sample some of his music and videos at his website: Runawayjones.com/blog.

Miles Jones NYC Release Show: A Special Pandasonic Cinco De Mayo Event
Thursday, May 5 at 8:00pm – May 6 at 3:00am
Panda Bar
139 Chrystie Street @ Delancey, NYC
FREE ADMISSION

All Nation: “Passion in their hearts and fire in their bellies”

“If you ever want to start a band, hit me up.” This passing comment from Sean Shepherd to Asher Schraeter sparked the beginning of All Nation. The name, All Nation, was inspired from the vast musical and personal differences between band members. With ages ranging from 19 to 26, the group consists of Sean “Unique” Shepherd as the lead vocalist, Asher Schraeter who plays the guitar, Earl Shepherd their keyboardist, Keegan Wolfe on the drums, and Kevin Shaigany who plays bass guitar.

Formed in March of 2010, Earl describes their music as “a mixture of mainly Hip-Hop and Rock, with bits and pieces of other genres thrown in.” Harmonizing rap-like vocals over melodic instruments, All Nation gained the edge they needed to place first in a Hot97 showcase this August. “The fact that we had won almost felt surreal to us,” Asher told Yeah New York.

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YNY TV: The Upperclass Men at the Studio at Webster Hall

During their first performance at The Studio at Webster Hall, the Upperclass Men proved that they had the stage presence, charisma and lyrical savvy necessary to attract a strong following. With the musical styling of a rock-rap hybrid (a la The Roots or Rage Against the Machine) and hyper-allusive rhyme schemes, Mr. Harris, HD, RS, and the Honor Roll (or the dudes who play the instruments) just might have a future bright enough to outshine the rest of the competition in NYC’s underground hip-hop scene. Check out YNY’s interview with The Upperclass Men and give us some words on what you think.

Heineken Inspire Encore: Video and Photos

Heineken Inspire Encore Video and Photos

As promised, Yeah New York is sharing our photos Heineken Inspire Encore Video and Photos. The DJ’s, Roxxy Cottontail, Diplo, and Pete Rock, kept the crowd moving throughout the night. With a recording booth, card tables, free food, and lots of free Heineken, there was enough to keep concert goers entertained before the concert got underway.

Surprising the crowd with his attendance, J. Cole was the first to perform and set the Hip-Hop tone for the night. Dres from Blacksheep soon followed hyping the crowd with the Old-School “This or That” track. DJ Kool Herc and Amber Rose both made brief cameos on the stage. Cee-Lo Green took over the stage ending the longest set of the night with his popular single, F*uck You.

And then all that was left was the headliner. Receiving a roar from the crowd, once Nas got underway the energy didn’t settle until the house lights were turned on. Performing several of his well-known hits, Nas’ acoustic rendition of One Mic with his drummer was pinnacle of the night. Now go check out YNY’s Heineken Inspire Encore Video and Photos!

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The Upperclass Men Invade Webster Hall: Video Coming Soon

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On Thursday, November 18, The Upperclass Men “invaded” The Studio at Webster Hall. This hip-hop group originated in Brooklyn and have since taken New York by storm. There are three members of The Upperclass Men: Mr. Harris (left), RS (middle), and HD (right).  HD and Mr. Harris met in school and began rapping together and RS later joined the two to become the group they are today.

From the moment they stepped on stage, it was clear that The Upperclass Men were ready to have a good time. The first thing that I noticed was their incredible stage presence. These three guys are definitely not shy, and were cracking jokes from the very beginning. When the music started, they seemed to enter a world of their own; they were so immersed in their music and lyrical content that there was not a moment where they weren’t completely on and jumping around the stage. The music is refreshing and their lyrics are clever; they involved the audience by explaining each song’s meaning, trying to get everyone to identify with their own life experiences. The group is backed by a band including a lead guitarist (Evan Lawrence), bassist (Gregory Aaron), DJ (Suga Ray), keyboardist (Yanick St. Juste), and drummer (Raymond Stone).

Based on their performance at The Studio at Webster Hall, it is clear that The Upperclass Men bring something new to the music scene and I predict that they will achieve much success.  If I had to use one word to describe this group, it would be charisma. Yeah New York sat down with the guys of The Upperclass Men before the show to learn a little bit more.  Stay tuned to yeahnewyork.com in the upcoming days to see the video interview, pictures, and footage from their live show.  The Upperclass Men will definitely make a splash soon, so be sure to learn about them here at Yeah New York!

See “Universes” this Saturday at El Museo del Barrio

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Want see something new this weekend? Something that stimulates the eyes, ears and cerebellum alike? Check out Universes – a multitalented collective of writers, musicians and performance artists taking the stage this Sabado from 6:30 to 8:30. The show is an artful collision of poetry, politics, funk, jazz, blues and theater featuring Steven Sapp, Gamal A. Chasten, Mildred Ruiz-Sapp, and Ninja. This event begins a series of poetry-infused performances hosted and curated by the award winning Latino writer and activist Emanual Xavier.

This event takes place at:

El Museo del Barrio see on a Map

1230 Fifth Ave. – at 104th St.

RSVP 1-212-831-7272

Directions: 6 to 103rd.

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You Bitch!: An Examination of What We Choose to Accept

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“You Bitch!” Excuse me what did my TV just call me? Freezing at the words that came blaring through my TV during a prime time broadcast, I was left with my mouth agape. Since when can you say Bitch on TV? This wasn’t HBO or Showtime, this is was regular cable. And I found myself laughing as I saw a commercial for (BLEEP) My Dad Says. Ok wait, just give me one second to process this. You can’t say Shit on TV but a word that degrades women can be thrown about casually?

Federal Communications Commission (FCC) can restrict but not censor broadcasts from using profane language. If the FCC would censor broadcast material, this would infringe on the First Amendment. So instead the FCC imposes fines for obscene, indecent, or profane material. According to the FCC website, “Profane speech is prohibited on broadcast radio and television between the hours of 6 a.m. and 10 p.m.” Any material that is “so highly offensive that their mere utterance in the context presented may, in legal terms, amount to a ‘nuisance’” is considered profane.

Ask any woman: if you were approached by someone and as a conversation starter, you were addressed as Bitch, would you deem the word as a “nuisance?” The word bitch has mutated from its original meaning. Merriam-Webster defines bitch as:

1: the female of the dog or some other carnivorous mammals,

2: a) a lewd or immoral woman b) a malicious, spiteful, or overbearing woman —sometimes used as a generalized term of abuse,

3: something that is extremely difficult, objectionable, or unpleasant,

4: complaint.

Somewhere in between its first usage and now, Bitch shape shifted to meaning an immoral woman, a man of low effeminate character, difficult circumstances, or a grievance. Which brings me back to why would the FCC allow the word Bitch, a word that obviously denigrates women, to be uncensored and not a word like Shit. Calling someone a piece of Shit does not equate to calling someone a Bitch. So when did we as a society take such a misogynistic view of the word?

For starters, Bitch is found in more places than just Male Studies (See Molly Knefel’s argument towards Manhood101) and TV/Film. With headphones dangling from the ears of subway riders, fast walking New Yorkers, and the locusts that commute in and out of the city, Bitch is in ears of many. I cringe when others discuss music misogyny and use Hip-Hop and Rap as a primary example. However, being that I am not an avid listener to Country or Pop-Elektronica, I will continue with a quote from Ice Cube, “A bitch is a bitch. So ladies, we ain’t just talkin’ bout you, cause some of y’all niggas is bitches too!” Aside from showing that Bitch not only is disrespectful towards women, Ice Cube points out that the word is insulting to a man when used to call him out on being less than a man, and therefore a Bitch.

The word’s usage has infiltrated music just as it is now being used more casually in conversations. Examples of Bitch in music spread from the 1980’s band called Bitch, Akon and David Guetta’s song “Sexy Bitch,” to Meredith Brooks embracing the word bitch in her 90’s hit “Bitch.” Of course I am leaving out the obvious overuse and many meanings of the word Bitch littered throughout Hip-Hop and Rap, but even though Bitch has become common in music, it doesn’t support or give reason to making it anymore socially acceptable.

Shit has many definitions. Merriam-Webster starts every definition of shit with “usually vulgar.” Meaning anything from “an act of defecation” to “a detestable person.” Used in such phrases as “I don’t give a shit, Don’t tell me that shit, We’re in this shit together, You’re nothing but a piece of shit, SHIT!!” None however demean the person’s being to the extreme derogatory usage that Bitch has been equated to.

In 1968, Jo Freeman published The BITCH Manifesto, a feminist article. She has this to say about Bitch: Bitches are aggressive, assertive, domineering, overbearing, strong-minded, spiteful, hostile, direct, blunt, candid, obnoxious, thick-skinned, hard-headed, vicious, dogmatic, competent, competitive, pushy, loud-mouthed, independent, stubborn, demanding, manipulative, egoistic, driven, achieving, overwhelming, threatening, scary, ambitious, tough, brassy, masculine, boisterous and turbulent. A Bitch takes shit from no one. You may not like her, but you cannot ignore her.

In following suit, the coined phrase H.B.I.C. or Head Bitch In Charge is taking the profane word and using it as a title of power. I respect those who can take adverse circumstances and use it to their advantage. But still, the take-charge approach to Bitch does not make me anymore comfortable with the word. Oprah recently announced that her new channel will refrain from using the word altogether. I am not one of those Oprah disciples that carve her beliefs into my arm, but I do think she is onto something.

Which brings me to this: it is not the use or integration of a word that should make it ok but the meaning. Shit is more commonly used across all platforms of media, entertainment, and social interactions, yet the FCC justifies the imposition of fines for it. So why not Bitch? My fight is not with the FCC entirely or with our society’s use of profanity. My fight is with the type of thinking that accepts the word Bitch over Shit. Condoning a word that is emphatically anti-women shouldn’t be socially acceptable.

Sources:

http://www.fcc.gov/cgb/consumerfacts/obscene.html
http://trueslant.com/mollyknefel/2010/04/26/finally-men-tell-women-what-the-word-bitch-really-means/
http://www.merriam-webster.com/dictionary/shit
http://www.uic.edu/orgs/cwluherstory/jofreeman/joreen/bitch.htm
http://www.nypost.com/p/entertainment/tv/oprah_no_bitches_allowed_w5MafyabZMIHYW2Eiz4UiM#ixzz13lq3Onkl
http://www.merriam-webster.com/dictionary/bitch

NYC gets their Encore Heineken Inspire Concert!

This past July, Heineken Inspire held a free private concert on the west side of Manhattan. At the event there were various give-aways, Nintendo Wii’s to play with, a Rolling Stone Photo Station, FREE HEINEKEN, and of course great music. Heineken Inspire brought out NY’s J. Cole, DC’s Wale, and surprise guest Rick Ross. The venue was packed but that only made for an intimate space to interact with the performing artist. The event was such a success that NY won the Heineken Inspire Encore Show.

The Encore Heineken Inspire concert location is being held a secret until the morning of November 13th. Their Facebook page announced musical talents Ryan Leslie, Cee Lo Green, Pete Rock, Roxy Cottontail, and Queen’s native Hip-Hop legend Nas will be gracing the stage at the Encore Heineken Inspire. With much about the event being kept a secret, there are several sites that allow you to text Encore to a short code and reserve a ticket ensuring that you are one of the hundreds sent a text disclosing the event’s location.

For more information about the artists who will be in attendance at the Encore Heineken Inspire show and how to secure your tickets, visit their Facebook page at Facebook.com/HeinekenRedStarSoul.

Doug E. Fresh’s Chicken and Waffle Spot Now Open in Harlem

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Known to the hip-hop community as The Human Beatbox, Doug E. Fresh’s 25 years in hip-hop have not limited his business decisions. Setting up shop in the city he calls home, Fresh’s bright graffiti storefront on 132nd Street and Adam Clayton Powell Boulevard in Harlem is now welcoming customers. Called “Doug E’s,” the corner restaurant serves up soul food and Caribbean-inspired meals.

Fresh is hoping to build up Harlem during the slow economy by putting his money into the neighborhood.  “[With] everything that’s going on with the economy, the only way to jump start it is we have to give each other opportunity. That’s the only way to make it work,” Fresh told NY1. Putting action behind his words, Fresh is hiring young adults for after-school, part time positions at Doug E’s, saying, “I understand the kid that… needs some money because he gotta get back and forth to school,” says Fresh.

At 44 years old, Fresh also owns a state-of-the-art recording studio just around the corner from Doug E’s. Fresh is not stopping his business ventures there, as he has plans of opening a comedy club in the very near future.

Not allowing his long standing fame go to his head, Fresh still very much wants to been seen as part of the neighborhood, saying, “I could still walk the street. I don’t have to have no massive security.”